The Kamala Harris Problem

The media taboo against talking about Joe Biden’s age and the obstacle it presents to his running again in 2024 is finally off. Which should put a lantern on another looming problem for the Democrats — waiting in the wings is a deeply unpopular officeholder, who makes Biden look like a prospective electoral juggernaut by comparison. Democrats can be forgiven for considering the possibility of only Kamala Harris standing between them and a return of Donald Trump and telling themselves, “Well, maybe 80 is the new 75,” or, “Biden’s always been gaffe-prone, so what’s a few more gaffes between friends?” or, “Biden campaigned from a basement in 2020 — surely, he can campaign from some similarly secluded and safe space in 2024.” Harris is the single best argument for Democrats trying to prop up Biden no matter what. She has been a disaster as vice president, even as she’s done nothing particularly noteworthy either good or bad. She’s simply a political black hole, whose abysmal ratings reflect not just Biden’s troubles but her own profound, inherent flaws as a political figure. Kamala Harris has the authenticity of Hillary Clinton, the charm of Al Gore, and the common touch of Adlai Stevenson. She could have been engineered in a lab as a conviction-less opportunist lacking basic political horse sense — and she more or less was. She came up in a California where the dominance of TV ads makes retail politicking all but unnecessary, and internal Democratic politics is largely based on identity politics. Compared to her, Biden really is Middle Class Joe. The contrast with Chuck Schumer, another Democratic leader from a deep blue state, is instructive — Schumer had a tough statewide race against a Republican within memory and is aware that not all voters are extremely online “woke” progressives.

Harris could have run as an ideologically interesting, toughminded former prosecutor in the 2020 Democratic nomination fight — a little like Eric Adams in the New York City mayoral primaries last year. Instead, she got sucked into the idea that the winning lane would be a couple of ticks to the right of Bernie Sanders. She co-sponsored his “Medicare for All” proposal, before making a confusing hash of her position when she realized the political implausibility of the plan.

She seemed defensive about her record as a prosecutor, which came under withering assault from Rep. Tulsi Gabbard from the left.

Her signature moment — attacking Joe Biden for his opposition to busing based on her own experience getting bused — didn’t pay the expected dividends because of its self-evident calculation.

Harris is a politician who always seems to be reading stage directions out loud. Her laugh, a target of critics, usually sounds forced and highly deliberate, at times bordering on inappropriate affect. It’s a valuable political skill to seem at ease even when reaching for the brass ring at the highest level of American politics. Bill Clinton, George W. Bush and Barack Obama all had this ability. Harris has shown no indication that she has it or will develop it.

Biden has done her no favors with her assignments as vice president. Given the foolhardiness of the underlying Biden policies, there was no realistic way she was going to diminish migration at the Southern border. Nor was she going to do anything to get a voting rights bill passed. That said, Harris hasn’t mastered any particular issue area and gives the impression of seeking continued from page

tableaus that will lend to her gravitas without ever succeeding.

On top of all this, she hasn’t managed to secure a close, trusted relationship with the president.

Any rational observer could have predicted that Biden’s VP pick was going to be particularly sensitive given that, as de Gaulle famously said, “Old age is a shipwreck.” Instead, Biden played identity politics by choosing Harris, and it’s understandable now that some Democrats would like, against all evidence, to bank everything on Biden’s youthful vigor.

Rich Lowry is editor-inchief of the National Review.

(c) 2022 by King Features Synd., Inc.